Body Vibrating
Body Vibrating
How to successfully step out of my body during astral projection?
Okay, my techniques to start projection are:
1. Don’t eat for an hour, then eat some saltine crackers.
2. Lay down, listen to ambient music, close my eyes, and take deep breaths.
3. My body begins vibrating.
That’s as far as I get. I’ve waited 2+ hours several times trying to get out of my body, and all attempts have failed. What can I do to pop out of my physical form?
okay..to have a successful astral projection you don’t need music and special place to sleep in..you have to be comfortable ,extremely relaxed that’s the condition dear .
so you lie in your bed and have your relaxing position,,try to stay relaxed as possible..try to stimulate vibrations starting from you toes and spread it up in your Whole Body..some people waits it to come accidentally and some stimulate it..
you can try sleep for tow hours and then wake up for 5 mins (without moving)and then try to sleep agian..these are some ways to be in vibrational state
once you are in vibrational state,thats mean you are very close for achieving your goal ..dont be so excited or afraid ..just go with it..try to have some picture and discover it or try moving your hand without using actual muscles..if it didnt work: try rotating your body or just say i wnat to get up now and walk..you will see that it worked ..dont be frustrated if it didnt at the first or second time..actually it will work and you will practice it then you will master it …its about controlling your consciousness and practicing..you will be amazed on how can you experience this astral plane .
GOODLUCK
Body Vibrating
Why does the pitch of a sound depend upon the length and thickness of the Vibrating Body or medium?
The reason that the pitch depends on the length and thickness of the vibrating body/medium:
a) The speed of traveling vibrations on a string is: sqrt(Tension/(mass/length). So the thicker the string, the slower the speed of vibrations. Of course, for a string, the speed can also be increased by increasing the tension.
b) The actual pitch of a struck string has to have a wavelength that fits properly into the length of the string. For example, since a string is tied down at both ends, the length of the string must fit an integral number of half-wavelengths of the vibration: otherwise, that vibration cannot fit onto the string. So once you have defined the string length, you have defined the acceptable wavelengths.
After the wavelengths have been thus determined, the actual frequencies are related to them through the speed of sound (see (a)): frequency = speed/wavelength.
So for stringed instruments, you need to define the length of the string and the thickness, and also the tension: these three together determine the frequencies.
For wind instruments, the role analogous to the string is the air column: It’s length, as well as the temperature, determine the frequencies. Notice that there are only two variables here: that makes wind instruments inherently less flexible than stringed instruments, which can adjust by changing the tension. That’s why the first thing in tuning is to have the clarinet (I think) sound the note, and then the lead violinist adjusts string tension to match that. It can’t be done the other way, unless you want to change the temperature of the room to match the violinist’s tuning!
Whole Body Vibration Exercises – PowerVibe PRO II